Affective Market and social importance of Dendrophilia

Affective Market and social importance of Dendrophilia

Recent art deals with key issues as affect, transspecies communication and integration of other life forms with the bios (in opposition to zoe – unprotected life). With every year more and more animals and also plants is crossing the borderline of valuable life. Dogs, cats, and other species like dolphins can get the big part of civil rights for their life protection, so even if they are not aware of it they are non-human person, what means personal position. In the same time we have people who are dealing with human life as something what can be devaluing by the reason of habitus, mind performance and quality of production. We are asking about the moment when sperm and egg became new youth, new person. This kind of questions are dream background for each artist to play with. This time is the time of myth creation and we need to participate in it. Transspecies society is appearing in our eyes, and old borders are redefined. Love as something most intensive and sexuality as its embodied activity are the root of the discourse.

Affective Market and social importance of Dendrophilia

Affective Market and social importance of Dendrophilia

In this context we need to find once again the dendrophilia as something rudimental for the new society, but dendrophilia based on the new language of affect. So it is the love relation between humans and plants enriched by the sexual relation that makes kind of statement for the new age of communication. This is the strange vision of Their Kingdom. We will get the same possibility to interact with the world without the poor interface of fading in media soup old cultural codes as other life forms. We will go beyond the language of logic and image. We will create one big orgiastic community of life.

One body and one mind will appear with the each new tool, each new transspecies facebook account, each new device that will inject non-human person in the society. We need an exoethic, and terms that will describe this kind relations. Impulses in the network are the affects and we all are parts of the global communication system. There is no place for meaning, just intensity. How intense you will affect the world around you and how strong pressure you will feel. Is it possible to get the impulse via your mental vagina? Is it possible to transform each of the strong pokes like pleasure?

BIRKENAU @ Michal Brzezinski: LIVING DEAD - Galeria EL

BIRKENAU @ Michal Brzezinski: LIVING DEAD – Galeria EL

The overgoing problem is the job and redistribution of goods. How we will redistribute goods for all this living forms if the productivity will be no longer the key? We all had created the collective minds such Google! So we all need to get profits from it! Our affects are the food for the system so the system need to pay as for them! Every sentence and every image, every mind have to get its value!

The affective creativity based on the rudimental level of existence will produce more and more data and the data will be the food for the collective mind, collective intelligence. We will need then just do the one step ahead into communism v. 2.0. Expanded trans species community of equal persons, that need the global goods redistribution and disconnection work from its value. There is no place for the rules just for man with the servers. Slavery is the past. No automatic justification for life is necessary, no more machine laws that are crushing our lives. No more knowledge or work value. Only value is the subjective value of pleasure because we all need to be paid just for your affects, for our data, because we are alive!

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editor

Michał Brzeziński - transhumanistic, and biosemiotic artist working with fauna flora and micro world, searching for affective language and life origins in matter, using medical media as EEG, GSR, USG interested in transspecies affective communication and sexual interfaces. Combining software and video biology. Creator of Galeria NT (2010). His wide, theory based, artistic and curatorial activity had animated theoretical discourse touching experimental film and video art as independent a-historical and matter-oriented aesthetic area. Curator working with galleries such as the Museum of Art in Łódź, Center for Contemporary Art Łaźnia in Gdańsk.

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