SONIC-BIO-FEEDBACK

trans-species-communication

– papuga, komputer, software

Papuga posługując się dźwiękami osadza słowa w zupełnie innej siatce odniesień do tego co człowiek zwykł utożsamiać z komunikacją. Postanowiłem zbudować instrument który będzie tłumaczył mowę papugi na język ludzki i jednocześnie będzie uczył papugę tego nowego kodu zrozumiałego dla człowieka.

I thought about to transform communication system into the art object that will say something about our culture and place of the other species in the bios zone. This structure is a model of exoethic biocoenosis in wich the machine becames a friend of the parrot and part of her ambience. Parrot placed in the gallery is still with her comrade, voice which can create the whole spectrum of the friendly sounds. Audience in relation with this situation can easy talk with the “anthropological machine” thus then parrot will stay out of the context. Parrot will stay then only animal. Audience can take control over the chatting bot by simple questions thus chatting bot is kind of extension of the life forms like parrots, but it is not directly connected with it like in the case of the human-machine relation, by the context of anthropocentric construction.

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editor

Michał Brzeziński – transhumanistic, and biosemiotic artist working with fauna flora and micro world, searching for affective language and life origins in matter, using medical media as EEG, GSR, USG interested in transspecies affective communication and sexual interfaces. Combining software and video biology. Creator of Galeria NT (2010). His wide, theory based, artistic and curatorial activity had animated theoretical discourse touching experimental film and video art as independent a-historical and matter-oriented aesthetic area. Curator working with galleries such as the Museum of Art in Łódź, Center for Contemporary Art Łaźnia in Gdańsk.

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