Photography is connected with death and video is connected with life. Still image is frozen time, and we think about objects on photography as a things that is continously passing-over, so it is mumification of pictures what had ben described by the Andre Bazin as mumification complex. Video is connected with reincarnation of time, animation of dead things and taking things back to life. [experimental cinema, mental video, art of moving picture]


Rebus VIDEO DE-MUMIFICATION COMPLEX odwołuje się do kina jako aktualizacji kompleksu mumifikacji (A. Bazin) czy wideo może więc ożywić mumię kina? Rebus wideo który czytelny jest dla teoretyków filmu I fotografii. Mumia ożywa dzięki efektowi negatywu jako digitalnej symulacji kliszy filmowej. Skojarzenie z obrazem medycznym wiąże ten film z pracą SEE ME. Następuje tu więc połączenie wątku życia i śmierci na przestrzeni refleksji teoretyczno-filmowej.




Michał Brzeziński - transhumanistic, and biosemiotic artist working with fauna flora and micro world, searching for affective language and life origins in matter, using medical media as EEG, GSR, USG interested in transspecies affective communication and sexual interfaces. Combining software and video biology. Creator of Galeria NT (2010). His wide, theory based, artistic and curatorial activity had animated theoretical discourse touching experimental film and video art as independent a-historical and matter-oriented aesthetic area. Curator working with galleries such as the Museum of Art in Łódź, Center for Contemporary Art Łaźnia in Gdańsk.

You may also like...

%d bloggers like this: